Spring 2012: "The Serpent Forveille: Perhaps the Best of All These Instruments for Sound" by Craig Kridel [39:3, 62-65]

Winter 2012: "A Magnificent Instrument" by Clifford Bevan [39:2, 64-65]

Summer 2011: "The Clifford Bevan Award for Meritorious Work in Low Brass Scholarship" by Craig Kridel [38:4, 56-59]

Winter 2011: "Art and Craft" by Clifford Bevan [38:2, 46-47]

Fall 2010: "Resurrecting the Bass Cornetto" by Craig Kridel [38:1, 86-88]

Summer 2010: "The Process of Cataloging an Unsigned Tuba," by Ken Drobnak [37:4, 46-47]

Winter 2010: "The Serpent at the Center of the Stage" by Clifford Bevan [37:2, 63-64]

Fall 2009: "New Wine for Old Bottles" by Craig Kridel [37:1, 48-50]

Winter 2009: The Start of Something Splendid by Clifford Bevan [36:2, 97-98]

Fall 2008: What Does a Serpent Sound Like? by Craig Kridel [36:1, 115-117]

Spring 2008: From Spectator to Player: A Tuba Player's Encounter with the Serpent by Craig Kridel [35:3, 70-72]

Winter 2008: Vaughan William's Tuba Concerto: Composition and First Performance by Clifford Bevan [35:2, 62-63]

Fall 2007: A Nice Cup of Tea by Clifford Bevan [35:1, 65-66]

Summer 2007: Pure or Practical by Clifford Bevan [34:4, 89-90]

Spring 2007: The Original Intent of the Serpent by Craig Kridel [34:3, 74-77]

Winter 2007: America's First Serpents by Craig Kridel [34:2, 84-86]

Winter 2006: Museums--What is it Worth? by Arnold Myers [33:2, 86]

Fall 2005: Serpent of Wood and Metal by Sabine Klaus [33:1, 82, 84]

Summer 2005: As Time Goes By by Clifford Bevan [32:4, 74-75]

Spring 2005: Serpent Exaltations: Pedagogical Advice from Past and Present edited by Craig Kridel and Dick Fuller [32:3, 85-87]

Spring 2004: Who Does Our Heritage Belong To? by Arnold Myers [31:3, 84-85]

Winter 2004: The Biennial Dispatches: Serpent Events and Occurrences by Craig Kridel [31:2, 79-81]

Summer 2003: Questions and Answers: Bass Horns and Russian Bassoons by Craig Kridel [30:4, 73-75]

Spring 2003: The Mystery of the Missing Tuba by Arnold Myers [30:3, 67-68]

Winter 2003: Wooden S Meets Wooden O by Clifford Bevan [30:2, 77]

Summer 2002: Serpent and Contrabassoon Acoustics by D. M. Campbell [29:4, 54-55]

Winter 2002: Streams of Recent Serpent Occurrences by Craig Kridel [29:2, 83-85]

Summer 2001: Think Me Up a Tuba by Clifford Bevan [28:4, 58-59]

Winter 2001: Not Quite the Serpent's Swan-Song by Clifford Bevan [28:2, 64]

Summer 2000: The One That Got Away by Clifford Bevan [27:4, 41-42]

Spring 2000: The Living Role of Historical Instruments by Arnold Myers [27:3, 60-61]

Winter 1999: What do you play in A Midsummer Night's Dream Overture? by Clifford Bevan [27:2, 61-62]

Fall 1999: Twenty-One Years of The Tuba Family by Ronald Davis [27:1, 59-61]

Summer 1999: Ophicleide: “Helicon-Word with ... er ... only meaning only” by Anthony George and “Welcome to the Millennicleide” by Clifford Bevan [26:4, 38,40]

Spring 1999: Museums by Arnold Myers [26:3, 54-55]

Winter 1999: Serpent: “Serpent” by Craig Kridel and “Lost and Found” by Clifford Bevan [26:2, 67-69]

Summer 1998: Ophicleide: “Stephen Wick and the Informed Approach” by Clifford Bevan, “Le Man's Le Mans for a' that” by Clifford Bevan, and “The Ophicleide: (A) Historical Exchange” by Anthony George [25:4, 34-37]

Spring 1998: Historical Instrument Section: “Museums” by Arnold Myers and “Book Review: John Fletcher: Tuba Extraordinary” by Clifford Bevan [25:3, 32-33]

Winter 1998: Historical Instrument Section: “Serpent” by Craig Kridel and “Case of the Missing B” by Clifford Bevan [25:2, 28-30]

Fall 1997: A Historian's Perspective by Ronald Davis [25:1, 32-34]

Summer 1997: Historical Instrument Section: “Ophicleide” by Anthony George and “Year of the Operacleide?” by Clifford Bevan [24:4, 36-38]

Spring 1997: Museums by Arnold Myers [24:3, 30-31]

Winter 1997: Historical Instrument Section: “Serpent” by Craig Kridel and “Long Live the Serpent! (Oh, sorry. It already has)” by Clifford Bevan [24:2, 38-40]

Summer 1996: Ophicleide: “The Ophicleide or 'Chromatic Bullocks and how to milk them'” by Anthony George and “Oliphant qui mal y pense” by Clifford Bevan [23:4, 28-30]

Spring 1996: Museums and Collections by Arnold Myers [23:3, 32-33]

Winter 1996: Historical Instrument Section: “Serpent” by Craig Kridel and “Pride and Prejudice” by Clifford Bevan [23:2, 40-42]

Fall 1995: Historical Instrument Section: “Serpent” by Craig Kridel and “. . . a long silver row” by Clifford Bevan [23:1, 38-39]

Spring 1995: Historical Instrument Section: “Serpent“ by Craig Kridel and “O Wild West Wind“ by Clifford Bevan [22:3, 52-54]

Fall 1994: Historical Instrument Section: “Serpent” by Craig Kridel and “Alone in Catalonia” by Clifford Bevan [22:1, 40-42]

Spring 1994: “. . . and everything in its place” by Clifford Bevan [21:3, 32-33]

Fall 1993: Historical Instrument Section: “Serpent” by Craig Kridel and “Serpent Secrets and the Hall of Fame” by Clifford Bevan [21:1, 24-26]

Winter 1992: Historical Instrument Section: “Serpent” by Craig Kridel and “Christopher Monk: 1921-1991 The Purest Serpentist” by Clifford Bevan [20:2, 30-32]

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